Archives

A photo of Jehan Roberson gazing down at a large table arranged with many pill bottles. A small audience of people sit and stand behind her in a library. Jehan is a Black woman. Her hair is tied up with a headband, her large hoop earrings shine. She wears a white shirt and a black blazer.

CHRONIC by Jehan Roberson at FADO’s On the Table Off the Table

A colour photo of Jess Dobkin's immersive installation called For What It's Worth. This image shows a dark room with warm lighting illuminating three installation stations. One a an open refrigerator strewn with milk and breast pumps, another appears to be a pink, fabric orb, and the last is a work desk strewn chaotically with milk threads, computer, and chairs on top of the desk

For What It’s Worth

Archives , Mobilities

A young black woman gestures with her right hand as she speaks

Call for Submissions – 2023-2024 Hemispheric Encounters Postdoctoral Fellowship

Archives , Ecologies , Mobilities , Oralities

A person stands in front of a text-filled projection. The person gestures towards the screen. The text refers to prostitution-related offences and sex work.

PROCESSION: New Queer/Trans Global Cinemas

Archives , Ecologies , Mobilities , Oralities

The nopales (cactus) field is full of plants and people. A small group gathers to learn about farming.

Visualizing Foodways Field School: Art, Food, and Food Systems from Hemispheric Perspectives

Archives , Ecologies , Mobilities , Oralities

ativAÇÕES perforMÁGICAS (in)díg(e)nas contra a farsa da representação colonial

Archives , Ecologies

Title image for film series: Images to Postpone the End of the World

Indigenous Cinema 2022 — Images to Postpone the End of the World

Archives , Ecologies , Mobilities , Oralities

A panel of 5 people sit in a semi-circle in front of a large projection of images.

A Home for Our Migrations – Symposium

Archives , Ecologies , Mobilities , Oralities

Jess Dobkin’s Wetrospective

A performer wears an elaborate, textured pink vulva head piece and mask. They kneel in front of a green screen. On the edges of the image we see production screens, lights, and crew members.

Transiting the Queer (Un)commons: Queer Summer Institute in Research Creation

Archives , Ecologies , Mobilities , Oralities

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