{"id":7834,"date":"2024-02-02T17:51:50","date_gmt":"2024-02-02T17:51:50","guid":{"rendered":"https:\/\/hemisphericencounters.ca\/projects\/creation-de-performances-hemispheriques-une-etude-de-cas\/"},"modified":"2024-06-24T16:14:05","modified_gmt":"2024-06-24T16:14:05","slug":"creation-de-performances-hemispheriques-une-etude-de-cas","status":"publish","type":"portfolio","link":"https:\/\/hemisphericencounters.ca\/fr\/projects\/creation-de-performances-hemispheriques-une-etude-de-cas\/","title":{"rendered":"NO NOS CREEN"},"content":{"rendered":"&#13;\n<p>La pi\u00e8ce sonore collaborative de Marion Velasco, <a href=\"https:\/\/hemisphericencounters.us1.list-manage.com\/track\/click?u=81ba621703809cfe552516015&amp;id=b59e935031&amp;e=fb65ffb922\"><strong><em>NO NOS CREEN<\/em><\/strong><\/a>, cr\u00e9\u00e9e avec les artistes Paula Arrieta (Chili) et Leciane Ferreira (Br\u00e9sil), a \u00e9t\u00e9 pr\u00e9sent\u00e9e au <a href=\"https:\/\/hemisphericencounters.us1.list-manage.com\/track\/click?u=81ba621703809cfe552516015&amp;id=189834a5e6&amp;e=fb65ffb922\"><strong>Festival International d\u2019art sonore Monteaudio 23 Concepci\u00f3n<\/strong><\/a> et promue par l\u2019Universit\u00e9 de Montevideo, Uruguay. Le festival s\u2019est d\u00e9roul\u00e9 <a href=\"https:\/\/hemisphericencounters.us1.list-manage.com\/track\/click?u=81ba621703809cfe552516015&amp;id=4dab832595&amp;e=fb65ffb922\"><strong>en ligne<\/strong><\/a> entre le 21 d\u00e9cembre 2023 et le 21 janvier 2024.<\/p>&#13;\n&#13;\n<p><em>NO NOS CREEN<\/em> est une \u0153uvre sonore qui superpose des \u00e9l\u00e9ments lyriques et autres \u00e9l\u00e9ments sonores pour juxtaposer et entrelacer les histoires d\u2019Antonia Barra et de Mariana Ferrer. Chacune de ces histoires est unique, mais elles comportent des similarit\u00e9s : toutes deux impliquent des agressions sexuelles qui se sont produites pr\u00e8s de bo\u00eetes de nuit (une \u00e0 Santiago, au Chili, l\u2019autre \u00e0 Florian\u00f3polis, au Br\u00e9sil), toutes deux ont eu lieu \u00e0 des p\u00e9riodes similaires en 2019, toutes deux impliquent des audiences judiciaires injustes tenues sur Zoom, en 2020, pendant la pand\u00e9mie, et toutes deux ont \u00e9t\u00e9 reprises publiquement et politiquement sur les m\u00e9dias sociaux et dans les rues. <\/p>&#13;\n&#13;\n<p>La pi\u00e8ce s\u2019ouvre et se cl\u00f4t sur les percussions acoustiques de l\u2019artiste Leciane Rodrigues Ferreira. Paula Arrieta r\u00e9cite le cas chilien en espagnol, en s\u2019inspirant de ses \u00e9crits ant\u00e9rieurs sur l\u2019affaire, publi\u00e9s dans son livre <a href=\"https:\/\/hemisphericencounters.us1.list-manage.com\/track\/click?u=81ba621703809cfe552516015&amp;id=8d82cb9227&amp;e=fb65ffb922\"><strong><em>Si Muere Duchamp<\/em><\/strong><\/a>. Marion Velasco r\u00e9cite le cas br\u00e9silien en portugais, s\u2019appuyant sur ses recherches sur l\u2019affaire, et le superposant \u00e0 un paysage sonore \u00e9lectrique.<\/p>&#13;\n&#13;\n<p>Cette pi\u00e8ce sonore s\u2019inscrit dans les d\u00e9bats critiques et les activations sur le f\u00e9minicide et la violence \u00e0 l\u2019\u00e9gard des femmes, en partie en r\u00e9ponse aux taux tr\u00e8s \u00e9lev\u00e9s et croissants au Br\u00e9sil. <\/p>&#13;\n&#13;\n<p><em>NO NOS CREEN<\/em> a \u00e9t\u00e9 cr\u00e9\u00e9 dans le cadre de la recherche postdoctorale 2021-2022 de Marion Velasco au sein de Rencontres H\u00e9misph\u00e9riques. <\/p>&#13;\n&#13;\n<p><a href=\"https:\/\/hemisphericencounters.us1.list-manage.com\/track\/click?u=81ba621703809cfe552516015&amp;id=de8624a7fb&amp;e=fb65ffb922\"><strong>\u00c9coutez<\/strong> <strong><em>NO NOS CREEN<\/em><\/strong> <strong>sur Soundcloud<\/strong><\/a>.<\/p>&#13;\n","protected":false},"excerpt":{"rendered":"<p>&#13; La pi\u00e8ce sonore collaborative de Marion Velasco, NO NOS CREEN, cr\u00e9\u00e9e avec les artistes Paula Arrieta (Chili) et Leciane Ferreira (Br\u00e9sil), a \u00e9t\u00e9 pr\u00e9sent\u00e9e au Festival International d\u2019art sonore Monteaudio 23 Concepci\u00f3n et promue par l\u2019Universit\u00e9 de Montevideo, Uruguay. Le festival s\u2019est d\u00e9roul\u00e9 en ligne entre le 21 d\u00e9cembre 2023 et le 21 janvier&hellip;<\/p>\n","protected":false},"author":1,"featured_media":7972,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"nf_dc_page":"","_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"portfolio_category":[46,49],"portfolio_tag":[],"class_list":["post-7834","portfolio","type-portfolio","status-publish","has-post-thumbnail","hentry","portfolio_category-oralities-fr","portfolio_category-archives-fr"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>NO NOS CREEN - Hemispheric Encounters<\/title>\n<meta name=\"description\" content=\"La pi\u00e8ce sonore collaborative de Marion Velasco, NO NOS CREEN, cr\u00e9\u00e9e avec les artistes Paula Arrieta (Chili) et Leciane Ferreira (Br\u00e9sil), Cette pi\u00e8ce sonore s\u2019inscrit dans les d\u00e9bats critiques et les activations sur le f\u00e9minicide et la violence \u00e0 l\u2019\u00e9gard des femmes, en partie en r\u00e9ponse aux taux tr\u00e8s \u00e9lev\u00e9s et croissants au Br\u00e9sil.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/hemisphericencounters.ca\/fr\/projects\/creation-de-performances-hemispheriques-une-etude-de-cas\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"NO NOS CREEN - 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